Twelves              
 Biography
Formerly ‘Twelves Trio’, now a four-piece and simply named 'Twelves',  the band have produced an outstanding follow-up to their acclaimed  debut “Here Comes The Woodman With His Splintered Soul” (Sony/1965  Records, 2008) which placed them on the map of 21st century British jazz. More exploratory and rockier than the last record, “The Adding Machine” (Babel Label, 2011) opens  up a broader sound-world taking in elements of swing, odd-time  signatures, free improv and alt-country in addition to the traditional  folk ballads of their first release. 
Twelves are :
Riaan Vosloo on bass, Tim Giles on drums, Mark Hanslip on tenor sax and new addition, guitarist Rob Updegraff. 
Updegraff,  a long-time friend and colleague of Giles, was brought in to tour with  the group after the first album release and now brings a broader sound  palette to the band ranging from Bill Frisell-ish ambience through  overdriven rock to avant-garde effects reminiscent of Elliot Sharp. He  has also proved to be a perfect foil for the increasingly  improv-inclined Hanslip, whose free-wheeling, melodic contributions to  the new record have attracted critical acclaim.  The drums and bass  pairing of Giles and Vosloo, now a rhythm partnership of choice for many  jazz and pop artists, has deepened and evolved in recent years,  allowing them to move easily between driving swing, relentless grooves,  free, open time and pure abstraction. 
Whilst  Hanslip and Vosloo are the main composers of the album, the development  of arrangements and the band sound remains an open, democratic process.  The record was also engineered and produced by Vosloo's Nostalgia 77  production team partner Ben Lamdin. 
 Says Vosloo: “The development of our sound on this record was born out of a few different  things that were going on at the time. Rob joined on guitar and that  added that   rock association and Tim is always keen to push things in a  new direction. We were touring a lot off the back of the first record  and kept finding ourselves in front of rock crowds, because of the label  we were signed to at the time, so I think that we learned to “put it  out a bit”, and to experiment with the sound of the band”. 
The  album’s title, chosen by Giles, is a reference to Elmer Rice’s American  Expressionist play about Mr Zero, an accountant who seeks revenge after  being replaced by an adding machine. Zero’s dark tale seems an apt  reference, for whilst there’s a nice facade to many of the tracks, this  often belies the dark, unsettled undertones of the playing beneath. 
The  band are currently planning a run of London-based shows in autumn of  2011 – taking in a local East London festival as well as the auspicious  London Jazz Festival – before touring nationally in early 2012.  
Press for 'The Adding Machine':
"Twelves have a real this-is-what-we-do presence and casual virtuosity to match."
John Fordham, The Guardian
"Twelves  put sharply intimate, free flowing group dialogue before anything else  and that’s what makes this imaginative set such an enjoyable one too."
Selwyn Harris, Jazzwise
"A tight yet exploratory set that neatly balances brains and brawn." Daniel Spicer, BBC Music [link]
"A  heady mix of Prime Time-like keening and Sco/Lo-type driving  urgency... Twelves are well equipped to move, as they do, between  dramatic, anthemic rock and tumbling freer music."
Chris Parker, londonjazz blog
"The  recordings here strike an inspired balance between knotty compositions,  patient melodic development and dynamic, turbulent free improvisation.  It is testament to the group's considerable skill that the result is not  an uncomfortable mish-mash, but rather a series of coherent, powerful  statements with a strong sense of narrative."
Daniel Paton, MusicOMH website
"A fascinating album, one that draws the listener further in with each subsequent listen."
Ian Mann, The Jazzmann blog
"An  excellent album, and obviously a group that isn't standing still.  Developing since it's first incarnation into a stronger unit that plays a  music that is both daring and accessible."
Joe Higham, Free Jazz blog
"..what  is most brilliant about this record is how these individual voices  congregate to create such a unified encounter. Whilst many would expect  such strong identities to clash or even jostle for position, somehow  Twelves have the wonderful ability to complement and take joy in each  other’s contribution, creating a richer, wholly fulfilling experience  for both musician and audience alike."
JJ Wheeler, Jazz Breakfast blog
Please note:
A website is currently under construction, in the meantime tracks can be heard and information read at :
 http://www.myspace.com/twelvestrio 
